For the sound engineer

Dear sound engineer, to make your work easier and speed up the flow of information without involving the event Organizer, we have prepared basic technical information for you. It will help you prepare for our band’s sound reinforcement. Additionally, you will find here a Technical Rider which contains full information on what else we need.

• We have our own in-ear monitoring system (“ears / InEars”) with a Behringer WING Rack mixer. All inputs are split via three Behringer MS8000 splitters and a Behringer Ultra DI Pro. The output splitters and DI have a 3-meter XLR cable snake for connecting to front of house (FOH).
• We provide our own microphones and digital guitar effects processors. Guitars should be panned hard left and hard right stereo. Keyboards must be set to full stereo with hard L/R panning.
• IMPORTANT: Setting up and connecting all the band’s equipment on stage takes about 1.5 hours!
• IMPORTANT: The rack is dynamic, so changes, expansions, experiments, and optimizations are constantly being made. In practice, the actual setup may differ slightly from what is shown here.

Download riders

Select and download the technical rider in PDF format.

Download technical rider – electric Polish version (PDF)

Stage plan

Generally, we set up in two rows on stage: drums, bass, and keyboards on the backline, with guitars and vocals at the front. The rack for our IEMs/connections is positioned centrally in the back, ensuring all devices can be easily connected and remain highly accessible for any adjustments.

Monitor System and Stage Rack

We have our own in-ear monitoring system (“ears / InEars (IEM)”) with a Behringer WING Rack mixer. All inputs are split via three Behringer MS8000 splitters and a Behringer Ultra DI Pro. The output splitters/rack and DI have a 3-meter XLR cable snake!

Rack view front:

Rack view back:

Microphones and other equipment

We provide our own microphones and digital guitar effects processors.
List of microphones and virtual devices: